Urban and the Shed Crew: Riveting and Available to Stream
Urban and the Shed Crew is a powerful, moving story packed with memorable, searing performances, including a terrific ensemble of young actors.
Beautifully done, all, esp. Richard Armitage (Chop), Anna Friel (Greta) and Fraser Kelly (Urban). Unforgettable.
The film garnered the People’s Award at the Newcastle Film Festival, and Richard Armitage, as Chop, captured the Best Actor award.
Rent it now.
Some Urban and the Shed Crew scenes…
Thank you, Candida Brady, for this wonderful film, and thank you, Bernard Hare, for writing something – as Urban says in the film – that means something.
Remembering Urban and the Shed Crew’s Urban – Lee Kirton – on the Anniversary of the Film’s World Premiere
On November 7, 2015, at Chapel FM – in the Leeds neighborhood where Chop, Greta, Urban and his Shed Crew lived – a feature film based on these lives made its world premiere to packed houses. In light of these two compelling, sold-out screenings, The Leeds International Film Festival added an extra screening of the film – directed by Candida Brady and based on Bernard Hare’s memoir – the next day, at a larger venue, the historic Hyde Park Picture House. Most of the cast, and many of the actual – now adult – Crew attended, including Lee Kirton, Urban himself.
But the journey of the members of the Shed Crew was never an easy one. And in June, Lee/Urban himself lost his nearly life-long battle with addiction. It happened as playwright Kevin Fegan finished his verse version of The Crew’s story, and staging was being prepped in Leeds.
‘Don’t mourn him too much. (Lee) did what he had to do and now he’s gone. “Deal with it,” to quote Kev. “We did.”‘ says Hare, who officially adopted Lee, and unofficially adopted the Crew and their families. ‘We’ve had to do a bit of speed-grieving around here because of the strange and unique circumstances. Still, I’ll never get used to losing my right arm.’
So the show – as it must – went on, and proved to be a powerful and emotional experience for all who knew, and who knew about, The Crew. With the permission of the playwright, here are his cathartic and striking Prologue and his final scene.
EXCERPTED FROM “THE SHED CREW” BY KEVIN FEGAN.
PROLOGUE
- A WAREHOUSE IN LEEDS. THE AUDIENCE ARE BROUGHT INTO A HOLDING BAY. URBAN IS ON HIGH. CHOP IS DOWN BELOW WITH THE AUDIENCE.
URBAN
Hey, Chop, it’s great up here –
come and see the sights.
CHOP
You know I’m feared of heights.
Who’s is this warehouse?
URBAN
Since when did we care?
We’re two infamous outlaws, us.
CHOP
Urban, come down will you, one last time?
URBAN
Why, what did you have in mind?
CHOP
Good place to tell our story?
I know it’s 2017
and things have changed –
URBAN
Never be the same again.
CHOP
I know what you mean.
URBAN
Who’s gunna start, me or you?
CHOP
You kick off, while we wait
for the rest of the Shed Crew.
URBAN
When we first met Chop, he became
some kind of fat bastard spirit guide:
some of us were ten, some of us were fifteen,
some of us were mental, some of us were mean;
we were walking on the wild side,
feral,
not like mowgli in the jungle
befriended by kindly animals,
more like Lord of the Flies,
abandoned on some desert island
in the inner city of Leeds.
We were totally off the lead,
we took care of our own needs
and we grew like rampant weeds
in the financial flower-bed of the North.
Yes, we were Thatcher’s illegitimate bastards
but we didn’t need saving,
we were children of the rave scene
and we knew how to party
in the graveyard of Leeds.
CHOP
They’re all my family.
URBAN
Yeah, dysfunctional.
CHOP
Especially Urban, who I adopted from day one.
URBAN
Why did you do that, Chop,
when I’ve been in and out of prison
since the day I was born?
CHOP
You’ve been like a son to me.
URBAN
Shut up, you nonce, you’re embarrassing me.
CHOP
Listen to me for once.
There’s something about you, Urban,
I knew it from the start.
URBAN
Told you before, Chop, you’re all heart,
it’ll get you nowhere.
CHOP
You were twelve years old in 1995,
a cheeky little gobshite,
who couldn’t read nor write –
THE SHUTTERS OPEN TO THE WAREHOUSE AND
CHOP LEADS THE AUDIENCE INTO THE MAIN SPACE.
One thing you should know
about the downtrodden and the poor:
in every slum, there’s a natural
conspiracy against law and order.
There’s give for those who can give
and there’s take for those who take.
You see, when the stakes are high
some people would rather turn to crime
than live with the leftovers of life.
As for me, I see every little crime as a dead rat
in the Tories’ water tank;
some of us are just waiting for a chance
to smash and grab, pillage and burn,
turn society upside down
and shake the coins from its pockets,
put a rocket under its arse
and shoot it to the moon
to the thumping beat of an old-school choon.
DANCE MUSIC.
SCENE 14 (Final Scene)
THEY ARRIVE AT THE LAKE DISTRICT IN THEIR STOLEN
CAR AND MAKE CAMP.
SHED CREW
They park up at Lake Windermere
and recky the lie of the land.
They camp in the woods nearby
and sit around a warm fire making plans.
The pitch has good voodoo.
CHOP
Right, you all know what we have to do.
THEY PUT ON BALACLAVAS AND GLOVES. URBAN
CARRIES EXCALIBUR, CHOP CARRIES THE
BOLT-CROPPERS, SAM A PETROL CAN AND PIXIE AN OLD
RAG AND MATCHES.
SHED CREW
At midnight, they return to the lake.
CHOP
Me and Urb will nick a rowing boat;
you guys be quick torching the car.
SAM POURS PETROL OVER THE CAR AND PIXIE LIGHTS
THE RAG AND THROWS IT IN. THERE IS A WHOOSH AS IT
CATCHES FIRE. CHOP CUTS THE CHAIN TO A ROWING
BOAT AND JUMPS IN WITH URBAN.
URBAN
Let’s row to the island
and watch the fire engines.
THEY ROW.
CHOP
It’s time, Urban: throw Excalibur
into the lake while the flames burn.
THE BOAT WOBBLES AS URBAN STANDS UP.
It’s a real shame, Urbie,
I was hoping you’d change the world for me.
URBAN THROWS THE MACHETE INTO THE WATER.
URBAN
Chop, man, that’s your job;
you’re the only one can read and write properly;
you’re the teacher, not me.
CHOP
What exactly have I showed you?
How to get locked-up and knocked-up?
How to get twatted on drugs?
Stuff like that?
URBAN
Yeah. And how to be decent
with each other, and kind;
how to chill out and not be
fucking lunatics all the time.
You have to tell our story:
get in touch with that Fergal Keane,
tell him how it is for real.
CHOP
Maybe I will; what the fuck,
maybe I’ll write him a letter,
maybe I’ll write him a book.
REST OF THE SHED CREW JOIN THEM.
SHED CREW
We lived it, we couldn’t care less;
most of us are still here to tell the tale:
some of us are addicts
and some run our own business,
some of us are in jail
and some are as straight as a vicar’s dick
and some are completely off the rails.
But look at us: we’re all in a book.
Deal with it, we did; this is for real.
A STORM BREAKS. THUNDER AND LIGHTNING.
URBAN
What about me, Chop? What became of me?
CHOP
What can I say? It’s 2017, Urbie,
you’ve left the scene.
URBAN
But we’ll always have our story.
CHOP
Some things can’t be undone;
I’m gunna miss you, son.
URBAN STARTS TO LEAVE.
All that energy has to go somewhere:
you’ll always be in the “ch’i” –
the energy blazing through every living thing.
I’ll not mourn;
but instead, when it thunders and lightning
and kicks up a storm,
I’ll think of you, Urban, kickin’-off up there
without a care in the world.
URBAN HAS GONE.
###
Director Candida Brady is hoping to release her film of Urban and the Shed Crew globally online. At this point, nothing official has been announced. For updates, please check Ms. Brady’s Twitter account, as well as the Twitter and Facebook accounts for the film.
About Representing and Lessons Learned…
Troops, let’s talk seriously for a moment.
I feel the need to comment on our responsibilities as members of the RArmy, and the gift of virtual access that we have been given by the “Urban and the Shed Crew” producers.
I am privileged to be the admin of a FB page that has the most wonderful, generous, remarkable people as members that I have ever encountered. While we may tease each other (and RA), usually the person we laugh at the most is ourselves. And there is a lot of laughter and fun on our page. No discourtesy, much less viciousness. Everyone seems to enjoy everyone else’s comments, point of view and, of course, RA. Don’t get me wrong, sometimes we all indulge in a little of Alice Roosevelt Longworth’s “If you can’t say something nice, come sit next to me” attitude. But even then, the comments are based on humor, not spite. All in all, I can’t imagine any of the RA US members being unkind or disrespectful to each other, much less a stranger.
Yet some of the RArmy are being unkind to a stranger – in the form of the “Urban and the Shed Crew” project – that is just making our acquaintance. We’re see far too many RArmy members being disrespectful to an entire production. I find this amazing and, frankly, appalling.
The people behind RA’s latest project are generously reaching out to us – fans of RA, fans of the book, fans of Bernie Hare and all the kids in the crew, fans of the other actors (yes, there are others in this film with followings) – every day. I use the word “generously” advisedly. I’m sure we remember the lack of similar communication from another recent RA film project. But with “Urban and the Shed Crew,” we see regular tweets, and – so far – daily updates of the the Facebook page, usually with a photo.
All of these posts, tweets, photos – all of the information we’re seeing about this project – are gifts, not rights. We didn’t earn this. We aren’t owed this. The people behind “Urban” could just as easily think of us as more trouble than we’re worth as a potential audience worth cultivating. Because in the end, no matter how they treat us, we’ll go see their film.
So before we make another insolent comment or insulting post, please, let’s think twice. Not to be prosaic, but please be nice. We’re representing RA as much as we are ourselves. And, to put it on a more pragmatic level, now the “Urban and the Shed Crew” producers are still choosing to include us in their project. Let’s not make them think twice.
Now, what is essentially an incident from Internet ancient history – i.e. yesterday:
Yesterday the RA Universe exploded with a snapshot from the “Urban” set of <correction> Fraser Kelly (Urban) and two older boys mugging for the camera; it was a cute photo. In the background – way, way back in the background – who could we spot? Waldo! That is to say: RA. Within minutes of being posted, it was all over Facebook and Tumblr. I’m not trying to sound or be sanctimonious – because I succumbed in the end – but I had a bad feeling about it. First, it featured a child; it is a movie about children, but still, child actors have specific rights. Second, it appeared to be someone’s personal Instagram page. In the end, I was also greedy for new content. Although I did ask the owner for permission to use it, I didn’t wait for the owner’s okay. I was impatient. After a couple of hours, I took the word of the original poster that it was public and then posted it.
Big mistake. What’s worse is that I knew it.
A fan site and blog have to have some boundaries and ethical standards. I have a journalism background and I try to run my sites using certain specific editorial integrity guidelines. But this time, I ignored not only my training, but also my instincts.
Big mistake.
So, what are the lessons?
- We cannot just purloin photos for our pages/blogs without the owners’ permission, particularly if the appear to be or are on an individual’s personal FB, Twitter or Instagram account (as has been the case before with RA content, and was in this the latest case). And,
- Once the owner asks for the content to be removed, it must be removed immediately! No prevarications, no rationalizations. It has to come down. Further, if you are the fan site contacted, it is your responsibility to let others know of this request and urge them to comply.
RA is not the only private individual in the RA Universe. And if it’s one thing we can and should respect it’s privacy. In light of all RA gives us through his public appearances, or how generous a production may or may not be, he and his colleagues deserve our respect for their privacy!
What happened? The owner contacted me – I had left that information when I requested permission – told me that I did not have her permission, and asked that I take down. I did, and spread the word. The top admins immediately removed it. With others, there were some discussions about its public vs. private nature. In the end, I hope the RA Universe proves itself, and the photo disappears from every public site.
As for me? I won’t make that mistake again. Any photos or content that have any appearance of personal or private nature will require the owners’ explicit permission to post. That will mean that here, our FB page, Tumblr and Twitter accounts will not have content you may see elsewhere. I am not about to go through this kind of “photos used without the family/owner’s permission” situation again (especially when, in my heart and mind, I know better).
Personally, I hope this – and the previous situation – would be a lesson to all of us.
More Casting News for “Urban and the Shed Crew”: Neil Morrissey!
The Internet Movie Database (IMDB.com) page has been updated. RA has been added as Chop, and two more cast members have been named:
First we have the fabulous Neil Morrissey as Doc (his bio and credits are here), and Kathryn Drysdale as Madge (her bio and credits are here).
Interesting, isn’t it, that neither Anna Friel nor Nadine Mulkerrin – the other two cast members we’ve seen announced – are listed yet?
Thanks to RA US Special Correspondent Chrissy Lampard for the IMDB tip!
And – as always – we invite you to follow
Richard Armitage US on Facebook and Twitter!
UPDATED! HUGE NEWS: RA’S GOT A BRAND NEW GIG & THERE ARE WOMEN IN THE CAST!
Thanks to Richard Armitage Net for this very welcome news item: Richard has been cast in Urban and the Shed Crew, a Blenheim Films production, which has just started filming in Leeds in the UK. The filming will take place over the next 6 weeks. This film is adapted from the best-selling novel of the same name, written by Bernard Hare. Richard will play ‘Chop’, an ex-social worker who befriends the eponymous character ‘Urban’.
Also, check out the film’s Facebook page, and the Urban and the Shed Crew website.
Read all about it on the Richard Armitage Net website!
AND there are women in the cast! Thanks to Armitage Army @ Richard Armitage Central for this casting news!
Recent Comments